A demanding audience
Other things what I have been doing lately. On Saturday, CK and I went down to Sun Yat-Sen Memorial Park (turns out it's actually quite easy to get to from our place, only being five minutes away, but over a footbridge to cross a busy dual carriageway).
We went there to glue gourds, as one does. The
cabaca is a core component of the berimbau, the stringed instrument used in capoeira. It's used as the soundbox. A few of ours had cracks in them that needed gluing, so we needed fresh air.
We also had a new arame - the wire bit - given to us by our teacher, so while CK was gluing some of the cabacas I tried my hand at making the wire loops that go at each end to secure the arame to the verga (that's the big stick bit). I'd not tried it before, but it worked out fine.
It was also a good chance for me to practise setting up the berimbau. This is an important skill for a capoeirista because berimbaus are taken apart after use for transportation and because the arame puts a lot of pressure on the verga when it's on. So you need to put them together every time you want to play.
I used to struggle to bend the verga enough and not let it slip while I was winding the arame round the top and tying off the bit of string on the end, so that the end result would have enough tension. This time even the relatively stiff verga which was the first one we got, from Mestre Falcao, was no problem. In fact, I now have the opposite problem -- I was bending them too much and had to loosen the arame to reduce the tension.
Our brand new verga from Indonesia is still rather on the rigid side (and very thick at the bottom end) so I'll have to work on that a bit.
I practised playing the berimbau a bit, and attracted occasional onlookers. Despite me being quite terrible at it, I suppose the average passerby wouldn't know any better. One six/seven-year-old girl started dancing along. And when I stopped she demanded "More! More!"
Which was jolly charitable of her, I thought.